Danzig: Glenn Danzig (vocals, guitar); Lazie (bass); Joey C. (drums). Additional personnel: Jeff Chambers (guitar). Recorded at NRG Studio & Big Love Studio, Hollywood, California. In the early '90s, Danzig appeared to be on the brink of global domination with such best-selling titles as DANZIG III: HOW THE GODS KILL and THRALL: DEMONSWEATLIVE. Commercial audiences finally appeared to be embracing the band. Danzig headlined bigger venues, earned gold albums, and even achieved an MTV hit with 1993's live version of the anthemic "Mother." Soon after, however, singer/leader Glen Danzig started exploring electronic sounds in addition to his expected blues metal, and the band members began leaving one by one. Such albums as 1994's DANZIG 4 and 1996's BLACKACIDEVIL failed to match the group's early efforts artistically or commercially. 1999 saw the release of 666 SATAN'S CHILD. While Danzig's sixth full-length album still reflects his recent electronic direction, it also sees more of a return to the band's earlier direction. New members Lazie (bass) and drummer Joey C. join Danzig and bring his cartoon horror stories to life.

Danzig: Glenn Danzig (vocals, guitar); Lazie (bass); Joey C. (drums). Additional personnel: Jeff Chambers (guitar). Recorded at NRG Studio & Big Love Studio, Hollywood, California. In the early '90s, Danzig appeared to be on the brink of global domination with such best-selling titles as DANZIG III: HOW THE GODS KILL and THRALL: DEMONSWEATLIVE. Commercial audiences finally appeared to be embracing the band. Danzig headlined bigger venues, earned gold albums, and even achieved an MTV hit with 1993's live version of the anthemic "Mother." Soon after, however, singer/leader Glen Danzig started exploring electronic sounds in addition to his expected blues metal, and the band members began leaving one by one. Such albums as 1994's DANZIG 4 and 1996's BLACKACIDEVIL failed to match the group's early efforts artistically or commercially. 1999 saw the release of 666 SATAN'S CHILD. While Danzig's sixth full-length album still reflects his recent electronic direction, it also sees more of a return to the band's earlier direction. New members Lazie (bass) and drummer Joey C. join Danzig and bring his cartoon horror stories to life.
Danzig: Glenn Danzig (vocals, guitar); Lazie (bass); Joey C. (drums). Additional personnel: Jeff Chambers (guitar). Recorded at NRG Studio & Big Love Studio, Hollywood, California. In the early '90s, Danzig appeared to be on the brink of global domination with such best-selling titles as DANZIG III: HOW THE GODS KILL and THRALL: DEMONSWEATLIVE. Commercial audiences finally appeared to be embracing the band. Danzig headlined bigger venues, earned gold albums, and even achieved an MTV hit with 1993's live version of the anthemic "Mother." Soon after, however, singer/leader Glen Danzig started exploring electronic sounds in addition to his expected blues metal, and the band members began leaving one by one. Such albums as 1994's DANZIG 4 and 1996's BLACKACIDEVIL failed to match the group's early efforts artistically or commercially. 1999 saw the release of 666 SATAN'S CHILD. While Danzig's sixth full-length album still reflects his recent electronic direction, it also sees more of a return to the band's earlier direction. New members Lazie (bass) and drummer Joey C. join Danzig and bring his cartoon horror stories to life.
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Danzig: Glenn Danzig (vocals, guitar); Lazie (bass); Joey C. (drums). Additional personnel: Jeff Chambers (guitar). Recorded at NRG Studio & Big Love Studio, Hollywood, California. In the early '90s, Danzig appeared to be on the brink of global domination with such best-selling titles as DANZIG III: HOW THE GODS KILL and THRALL: DEMONSWEATLIVE. Commercial audiences finally appeared to be embracing the band. Danzig headlined bigger venues, earned gold albums, and even achieved an MTV hit with 1993's live version of the anthemic "Mother." Soon after, however, singer/leader Glen Danzig started exploring electronic sounds in addition to his expected blues metal, and the band members began leaving one by one. Such albums as 1994's DANZIG 4 and 1996's BLACKACIDEVIL failed to match the group's early efforts artistically or commercially. 1999 saw the release of 666 SATAN'S CHILD. While Danzig's sixth full-length album still reflects his recent electronic direction, it also sees more of a return to the band's earlier direction. New members Lazie (bass) and drummer Joey C. join Danzig and bring his cartoon horror stories to life.


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Danzig: Glenn Danzig (vocals, guitar); Lazie (bass); Joey C. (drums). Additional personnel: Jeff Chambers (guitar). Recorded at NRG Studio & Big Love Studio, Hollywood, California. In the early '90s, Danzig appeared to be on the brink of global domination with such best-selling titles as DANZIG III: HOW THE GODS KILL and THRALL: DEMONSWEATLIVE. Commercial audiences finally appeared to be embracing the band. Danzig headlined bigger venues, earned gold albums, and even achieved an MTV hit with 1993's live version of the anthemic "Mother." Soon after, however, singer/leader Glen Danzig started exploring electronic sounds in addition to his expected blues metal, and the band members began leaving one by one. Such albums as 1994's DANZIG 4 and 1996's BLACKACIDEVIL failed to match the group's early efforts artistically or commercially. 1999 saw the release of 666 SATAN'S CHILD. While Danzig's sixth full-length album still reflects his recent electronic direction, it also sees more of a return to the band's earlier direction. New members Lazie (bass) and drummer Joey C. join Danzig and bring his cartoon horror stories to life.
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