David S. Ware Quartet: David S. Ware (tenor saxophone); Matthew Shipp (piano); William Parker (bass); Whit Dickey (drums). Recorded in New York, New York in 1992. David S. Ware is of the generation of jazz performers/composers primarily influenced by the contemporary jazz avant-garde. Ware first came to the attention of the jazz public when he was a member of Cecil Taylor's ensemble in the 1970s. Yet Ware does not overlook the rich jazz tradition. Tenor sax giant Sonny Rollins was (and is) a major influence and Ware frequently includes jazz standards as part of his repertoire. His sound encompasses the technique and steely tone of Rollins, the breathy sound of Ben Webster, the fire of Archie Shepp and the unfettered, angular cry of Albert Ayler. THIRD EAR is a good representation of Ware, featuring outstanding support from his long-time band and superior sound quality. Pianist Matthew Shipp matches Ware's intensity, yet he provides a lyrical quality that gives the music a firm center. William Parker is one of the finest "free" bassists in jazz (he has played with Taylor as well). This is definitely not "easy" jazz, but is highly recommended for adventurous listeners.

David S. Ware Quartet: David S. Ware (tenor saxophone); Matthew Shipp (piano); William Parker (bass); Whit Dickey (drums). Recorded in New York, New York in 1992. David S. Ware is of the generation of jazz performers/composers primarily influenced by the contemporary jazz avant-garde. Ware first came to the attention of the jazz public when he was a member of Cecil Taylor's ensemble in the 1970s. Yet Ware does not overlook the rich jazz tradition. Tenor sax giant Sonny Rollins was (and is) a major influence and Ware frequently includes jazz standards as part of his repertoire. His sound encompasses the technique and steely tone of Rollins, the breathy sound of Ben Webster, the fire of Archie Shepp and the unfettered, angular cry of Albert Ayler. THIRD EAR is a good representation of Ware, featuring outstanding support from his long-time band and superior sound quality. Pianist Matthew Shipp matches Ware's intensity, yet he provides a lyrical quality that gives the music a firm center. William Parker is one of the finest "free" bassists in jazz (he has played with Taylor as well). This is definitely not "easy" jazz, but is highly recommended for adventurous listeners.
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David S. Ware Quartet: David S. Ware (tenor saxophone); Matthew Shipp (piano); William Parker (bass); Whit Dickey (drums). Recorded in New York, New York in 1992. David S. Ware is of the generation of jazz performers/composers primarily influenced by the contemporary jazz avant-garde. Ware first came to the attention of the jazz public when he was a member of Cecil Taylor's ensemble in the 1970s. Yet Ware does not overlook the rich jazz tradition. Tenor sax giant Sonny Rollins was (and is) a major influence and Ware frequently includes jazz standards as part of his repertoire. His sound encompasses the technique and steely tone of Rollins, the breathy sound of Ben Webster, the fire of Archie Shepp and the unfettered, angular cry of Albert Ayler. THIRD EAR is a good representation of Ware, featuring outstanding support from his long-time band and superior sound quality. Pianist Matthew Shipp matches Ware's intensity, yet he provides a lyrical quality that gives the music a firm center. William Parker is one of the finest "free" bassists in jazz (he has played with Taylor as well). This is definitely not "easy" jazz, but is highly recommended for adventurous listeners.

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David S. Ware Quartet: David S. Ware (tenor saxophone); Matthew Shipp (piano); William Parker (bass); Whit Dickey (drums). Recorded in New York, New York in 1992. David S. Ware is of the generation of jazz performers/composers primarily influenced by the contemporary jazz avant-garde. Ware first came to the attention of the jazz public when he was a member of Cecil Taylor's ensemble in the 1970s. Yet Ware does not overlook the rich jazz tradition. Tenor sax giant Sonny Rollins was (and is) a major influence and Ware frequently includes jazz standards as part of his repertoire. His sound encompasses the technique and steely tone of Rollins, the breathy sound of Ben Webster, the fire of Archie Shepp and the unfettered, angular cry of Albert Ayler. THIRD EAR is a good representation of Ware, featuring outstanding support from his long-time band and superior sound quality. Pianist Matthew Shipp matches Ware's intensity, yet he provides a lyrical quality that gives the music a firm center. William Parker is one of the finest "free" bassists in jazz (he has played with Taylor as well). This is definitely not "easy" jazz, but is highly recommended for adventurous listeners.
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