Rigotti Gold Alto Saxophone Reeds Strength 3.5 Strong

Rigotti Gold Alto Sax Reeds represent the finest in precision and playability. Hand picked and precisely cut, these reeds are consistent, focused and durable. Box of 10. The Best Cane Ets Rigotti owes part of their reputation to their materials. The canes of the Var, and Cogolin regions of France are among the best in the world. Grown alongside rivers and streams, in an large area that is maintained all year round. Cutting Rigotti Gold reeds are cut during a winter afternoon over four months from December to March. When the cane has reached maturity (after two years when it measures seven to eight meters with a diameter of 26cm to 32cm), it is cut left in the open where it will be worked on. The work on the reeds is split into stages: Rigotti use a 'plumes' to dispose of all the excess and 'feathers', and they only keep the 2 or 3 meters from the base (the rest is either burned or used as bamboo). Then the tubes are cut (from the base to the top), and the knots are thrown to obtain batons suited to music. This is where the true work starts, each tube is calibrated to a particular instrument. The double reeds are for the oboe and bassoon, which must be wet to be bent and attached.

Rigotti Gold Alto Sax Reeds represent the finest in precision and playability Hand picked and precisely cut, these reeds are consistent, focused and durable Box of 10 The Best Cane Ets Rigotti owes part of their reputation to their materials The canes of the Var, and Cogolin regions of France are among the best in the world Grown alongside rivers and streams, in an large area that is maintained all year round Cutting Rigotti Gold reeds are cut during a winter afternoon over four months from December to March When the cane has reached maturity (after two years when it measures seven to eight meters with a diameter of 26cm to 32cm), it is cut left in the open where it will be worked on The work on the reeds is split into stages: Rigotti use a 'plumes' to dispose of all the excess and 'feathers', and they only keep the 2 or 3 meters from the base (the rest is either burned or used as bamboo) Then the tubes are cut (from the base to the top), and the knots are thrown to obtain batons suited to music This is where the true work starts, each tube is calibrated to a particular instrument The double reeds are for the oboe and bassoon, which must be wet to be bent and attached