Taylor Builder's Edition 912ce WHB Grand Concert Acoustic-Electric Guitar

The first Builder’s Edition guitar from the 900 Series blends the style and sound of a rosewood/spruce Grand Concert with inviting, player-friendly features. Built to the exacting specifications of comfort and tone developed by Andy Powers, this 912ce features back and sides of solid East Indian rosewood paired with a Lutz spruce top. The Grand Concert’s compact frame makes it an ideal choice for players who value finesse and a delicate touch, offering wide dynamic range to allow you to explore your musical ideas all the way across the tonal spectrum. V-Class bracing is a natural partner with Indian rosewood, helping that wood’s naturally textured overtones to bloom and resonate with greater sustain while adding overall volume and musicality. This Builder’s Edition is crafted for an optimal, seamless playing experience that allows you to sound and feel your best, thanks to a beveled armrest, contoured body and fretboard edges, and a beveled cutaway that makes it easier than ever to access the higher notes on the neck. Aesthetic appointments include stunning abalone and mother-of-pearl inlays in a new Bellefleur design. The guitar ships with ES2 electronics in a deluxe hardshell case. Lutz Spruce A naturally occurring hybrid of Sitka and White spruce, Lutz grows in climate zones between where Sitka and White spruce are found. (Sitka grows in more coastal areas, while White spruce thrives in interior regions.) Lutz has is considered very adaptive within those microclimates, which can yield properties that are superior to either species alone. In terms of acoustic response, Lutz blends the positive characteristics of Sitka and White spruce and its close cousin, Engelmann spruce. The Lutz that Taylor uses for the 500 Series tends to exhibit characteristics of Adirondack spruce. The result is powerful sonic horsepower that translates into strong volume, projection and tonal richness. Goes Well With: Most playing styles. Players with a lively attack will enjoy the tonal output and headroom. Indian Rosewood One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver. Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”. If you’re looking for a traditional aco

Taylor Builder's Edition 912ce WHB Grand Concert Acoustic-Electric Guitar