1. Belkin Home Charger 2.1 Amp

Charge Quickly at Home Small but Powerful Charge your iPad or iPad mini at the fastest possible speed with this charger that works in any power outlet. Works with the Lightning Connector Use the Home Charger with the Lightning connector for iPad mini to charge faster than ever. And of course, you can still use your 30-pin cable.

Belkin Home Charger 2.1 Amp Power up your portable devices with the constant voltage supply Up to 10 W maximum power output 2.10 A current helps your device charge quickly Delivers 5 V DC to ensure that your device is always ready to use iPod device supported for better reliance and optimal performance

2. Sky Tech Sync and Charge Adapter

The Sky Tech Sync and Charge Adapter lets you charge and transfer data from your microUSB device to your Apple iPhone 5, 5S and 5C.

For Apple iPhone 5C/5S/5 Charge and transfer data

3. MiPow Power Tube 2600-O-L - Power bank - 2600 mAh - 1 A - 2 output connectors (USB, Lightning) - black

MiPow Power Tube 2600-O-L power bank - Li-Ion

MiPow Power Tube 2600-O-L - Power bank - 2600 mAh - 1 A - 2 output connectors (USB, Lightning) - black

4. I Essentials Iplh5-Ac-Wt Iphone Wall Charger

Home charger Charges from any wall outlet Ultralow-profile design MFi certified White SKU:SWM-RA22524

I Essentials Iplh5-Ac-Wt Iphone Wall Charger

5. Belkin F8Z981TTP (1.1 Amp) USB Wall Charger with 4 ft Charge Cable for iPhone 4S

Charge your iPhone or iPod at the fastest possible speed with this micro charger that works in an AC outlet. Comes with a 4' Charge/Sync cable for connecting to your desktop or laptop computer.

Key Features and Benefits: Micro rapid-charge wall charger 4' ChargeSync cable for iPhone and iPod

6. Personnel: David Lee Roth (vocals, harp); Terry Kilgore (guitar, synthesizer); John Lowery (guitar, bass); Mike Hartman (guitar); B'urbon Bob, Tom Lilly (bass); Ray Luzier (drums). Recorded at Ocean Entertainment Studios, Burbank, California; Mama Joe's Studios, North Hollywood, California. David Lee Roth is back! Not that he ever left us in the first place. The self-professed Toasmaster of the Immoral Minority has delivered his most thunderous release since 1988's SKYSCRAPER. After venturing into the world of "R&B metal" with his last effort, Roth has gone back to doing what he does best; tearin' the roof off the sucka' and putting it into hyperdrive. DLR BAND contains all of the tongue-in-cheek Roth innuendoes, combined with the lightning-hot guitar licks of John Lowery (also in Rob Halford's Two), and veteran Roth sideman Terry Kilgore. The speed riffs are present throughout the album, though Dave injects some of his soul influence as well. "Blacklight" has an infectious funky groove, while "Lose The Dress (Keep The Shoes)" has a similar sing-along quality. Wa Wa Zat!! (also the name of his new label) contains some wild guitar trinklets used for background effect and "Relentless" is straight-ahead Dave: catchy, fast and chart-friendly. All in all, DLR BAND is a meat and potatoes rock record from one of the genre's most endearing and enduring frontmen.

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Personnel: David Lee Roth (vocals, harp); Terry Kilgore (guitar, synthesizer); John Lowery (guitar, bass); Mike Hartman (guitar); B'urbon Bob, Tom Lilly (bass); Ray Luzier (drums). Recorded at Ocean Entertainment Studios, Burbank, California; Mama Joe's Studios, North Hollywood, California. David Lee Roth is back! Not that he ever left us in the first place. The self-professed Toasmaster of the Immoral Minority has delivered his most thunderous release since 1988's SKYSCRAPER. After venturing into the world of "R&B metal" with his last effort, Roth has gone back to doing what he does best; tearin' the roof off the sucka' and putting it into hyperdrive. DLR BAND contains all of the tongue-in-cheek Roth innuendoes, combined with the lightning-hot guitar licks of John Lowery (also in Rob Halford's Two), and veteran Roth sideman Terry Kilgore. The speed riffs are present throughout the album, though Dave injects some of his soul influence as well. "Blacklight" has an infectious funky groove, while "Lose The Dress (Keep The Shoes)" has a similar sing-along quality. Wa Wa Zat!! (also the name of his new label) contains some wild guitar trinklets used for background effect and "Relentless" is straight-ahead Dave: catchy, fast and chart-friendly. All in all, DLR BAND is a meat and potatoes rock record from one of the genre's most endearing and enduring frontmen.

7. The Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Donna Godchaux (vocals); Keith Godchaux (keyboards, background vocals); Phil Lesh (bass, background vocals); Mickey Hart, Bill Kreutzmann (percussion). Engineers: Rob Taylor, Jeffrey Norman, Don Pearson. Recorded live at the Great American Music Hall, San Francisco, California on August 13, 1975. Includes liner notes by Dan Healy. All tracks have been digitally remastered using HDCD technology. The first entry in a series of vintage Dead concert recordings, the two-CD set ONE FROM THE VAULT captures a 1975 concert that is often cited by Dead fanatics as one of the band's greatest. As the affectionate liner notes indicate, the Dead had just finished recording BLUES FOR ALLAH, and they had just launched Grateful Dead Records, so, with much to celebrate, they decided to play a show. The evening begins with a palpable sense of electricity. Legendary impresario Bill Graham introduces the band and the Dead kick into "Help on the Way" and the song cycle that begins BLUES FOR ALLAH. The tunes capture the different elements of the band at work. Especially incandescent are Garcia's gorgeous, lightning runs on Johnny Cash's chugging "Big River" and Phil Lesh's bass excursions on "Eyes of the World."

short description is not available

The Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Donna Godchaux (vocals); Keith Godchaux (keyboards, background vocals); Phil Lesh (bass, background vocals); Mickey Hart, Bill Kreutzmann (percussion). Engineers: Rob Taylor, Jeffrey Norman, Don Pearson. Recorded live at the Great American Music Hall, San Francisco, California on August 13, 1975. Includes liner notes by Dan Healy. All tracks have been digitally remastered using HDCD technology. The first entry in a series of vintage Dead concert recordings, the two-CD set ONE FROM THE VAULT captures a 1975 concert that is often cited by Dead fanatics as one of the band's greatest. As the affectionate liner notes indicate, the Dead had just finished recording BLUES FOR ALLAH, and they had just launched Grateful Dead Records, so, with much to celebrate, they decided to play a show. The evening begins with a palpable sense of electricity. Legendary impresario Bill Graham introduces the band and the Dead kick into "Help on the Way" and the song cycle that begins BLUES FOR ALLAH. The tunes capture the different elements of the band at work. Especially incandescent are Garcia's gorgeous, lightning runs on Johnny Cash's chugging "Big River" and Phil Lesh's bass excursions on "Eyes of the World."

8. Personnel: Charlie Parker (alto saxophone) Wardell Gray (tenor saxophone); Benny Harris (trumpet); Walter Bishop, Dick Twardzik (piano); Teddy Kotick, Charles Mingus (bass); Roy Haynes, Max Roach (drums). Recorded live at Christy's Restaurant, Boston, Massachusetts on April 12, 1951. These lengthy live cuts, recorded in Boston in 1951, feature Parker in a relaxed and extremely creative mode. In a set of only four numbers, Bird stretches out considerably on "Scrapple From The Apple," I Remember April" and "I May Be Wrong." The one complaint here is the sound quality (one can clearly hear conversational murmurs and shouts of "Go! Go!" during solos). Nevertheless, strong sidemen (one track features the incomparable rhythm section of Charles Mingus and Max Roach) and Parker's playing, which gives full reign to parallelism, echoed phrases and lightning-fast harmonic fragments, make THE HAPPY "BIRD" a rewarding experience.

short description is not available

Personnel: Charlie Parker (alto saxophone) Wardell Gray (tenor saxophone); Benny Harris (trumpet); Walter Bishop, Dick Twardzik (piano); Teddy Kotick, Charles Mingus (bass); Roy Haynes, Max Roach (drums). Recorded live at Christy's Restaurant, Boston, Massachusetts on April 12, 1951. These lengthy live cuts, recorded in Boston in 1951, feature Parker in a relaxed and extremely creative mode. In a set of only four numbers, Bird stretches out considerably on "Scrapple From The Apple," I Remember April" and "I May Be Wrong." The one complaint here is the sound quality (one can clearly hear conversational murmurs and shouts of "Go! Go!" during solos). Nevertheless, strong sidemen (one track features the incomparable rhythm section of Charles Mingus and Max Roach) and Parker's playing, which gives full reign to parallelism, echoed phrases and lightning-fast harmonic fragments, make THE HAPPY "BIRD" a rewarding experience.

9. Onn. Mobile 2 In 1 Charger

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Onn. Mobile 2 In 1 Charger

10. i.Sound Wall Charger - Power adapter - 1 A (Apple Dock) - black silver - for Apple iPhone/iPod (Apple Dock)

i.Sound Wall Charger power adapter - Apple Dock

Key Features and Benefits: Power and charge your iPhone or iPod Power indicator LED Fits any standard wall outlet Flip out AC plug