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Mens Big & Tall Jeans

Paul Dunmall Octet: Paul Dunmall, Simon Picard (tenor saxophone); Gethin Liddington (trumpet); Paul Rutherford, Hilary Jeffries (trombone); Keith Tippett (piano); Paul Rogers (bass); Tony Levin (drums). Additional personnel includes: Elton Dean, Lee Goodsall (alto saxophone); Evan Parker, Howard Cottie (tenor saxophone); Jon Corbett (cornet); Oren Marshall (tuba); John Adams (guitar); Mark Sanders (drums). Recorded at Gateway Studios, Kingston, England on March 26, 2000.

Paul Dunmall Octet: Paul Dunmall, Simon Picard (tenor saxophone); Gethin Liddington (trumpet); Paul Rutherford, Hilary Jeffries (t

Personnel: Jimmy Sturr; Johnny Karas (vocals, tenor saxophone); Nick Devito, Joe Magnuszewski (clarinet, alto saxophone); Eric Parks, Ben Poole (trumpets); Gene Bartkiewicz, Wally Czerniawski (accordions); Ken Uy (piano); Skip Bierstine (bass); Dennis Coyman (drums). Additional personnel: Frank Urbanovich, Paulette Kress, Deena Leff, Cindy Stepowyj, Mitch Gubernat, Dave Pokotilow, Shep Coleman (string section), St. Cecilia Choir, The Jordanaires (background vocals). Recorded at BMG Studios, New York.

Personnel: Jimmy Sturr; Johnny Karas (vocals, tenor saxophone); Nick Devito, Joe Magnuszewski (clarinet, alto saxophone); Eric Par

Relaxed-Fit Jeans

Relaxed-Fit Jeans

Personnel: Will Downing (vocals, keyboards, percussion, programming); Laythan Armor, Attala Zane Giles (various instruments, background vocals); Greg Smith, Jimmy Varner (various instruments); Binky Brice, Charles Ferring, Skip McDonald (guitar); Felix Farrar, Brenda Vincent, Alvin McCall, George Kitzas, Marianne Henry, Clarissa Howell, Duane James, Lesa Terry, Cecelia Hobbs, Lloyd Carter, Akua Dixon, Melvin Greenwich (strings); Wendell Brooks (flute); George Howard (saxophone); Brian Jackson (piano, keyboards, programming); Onaje Allan Gumbs (piano, keyboards); Zane Mark (keyboards, synthesizer); Mike Graves (keyboards); Jaye Hoggard (vibraphone); Doug Wimbish, Kenny Davis, Tinker Barfield, Melvin Gibbs (bass); Buddy Williams, J.T. Lewis, Steve Williams (drums); Bashiri Johnson, Paulhino Da Costa, Roger Squitero (percussion); Curtis King, Brenda White-King, Danny Madden, Audrey Wheeler, Lynn Fidmont, Lynn Roderick, Kevin Dorsey, Craig Derry, Charlie Paakari, Fred White, Valarie Mayo, Glynice Coleman (background vocals). Producers include: Will Downing, Laythan Armor, Brian Jackson, Jimmy Varner, Attala Zane Giles. Engineers include: Gary Dobbson, Carl Beatty, Bobby Macias.

Personnel: Will Downing (vocals, keyboards, percussion, programming); Laythan Armor, Attala Zane Giles (various instruments, backg

Wrangler Men's Relaxed Fit Jeans

Wrangler Men's Relaxed Fit Jeans

Personnel includes: Milt Jackson, Monty Alexander, Ray Brown, Dennis Budimir, John Clayton, John Collins, Paulinho Da Costa, Tommy Flanagan, Jeff Hamilton, Billy Higgins, Hubert Laws, Jerome Richardson, Fran Severino, Jimmie Smith, Cedar Walton.

Personnel includes: Milt Jackson, Monty Alexander, Ray Brown, Dennis Budimir, John Clayton, John Collins, Paulinho Da Costa, Tommy

Modey Lemon: Phil Boyd (vocals, guitar, Moog synthesizer); Paul Quattrone (harmonica, drums). Recorded at Plus/Minus Studios, Pittsburgh, Pennsylvania.

Modey Lemon: Phil Boyd (vocals, guitar, Moog synthesizer); Paul Quattrone (harmonica, drums). Recorded at Plus/Minus Studios, Pitt

Big Bad-Ass Book of Shots (Paperback) by Paul Knorr

Big Bad-Ass Book of Shots (Paperback) by Paul Knorr

Personnel: Jon Hassell (trumpet, prophet 5 synthesizer); Brian Eno (guitar, prophet 5 synthesizer, minimoog synthesizer); Percy Jones, Michael Brook (bass); Nana Basconcelos (loop drum, congas, gatham); Ayibe Dieng (congas, gatham); Paul Fitzgerald (electronics); Andrew Timar, Tina Pearson (handclaps); Night Creatures Of Altamira. Recorded at Celestial Sounds, New York, New York and at Art Gallery Of Toronto, Ontario in 1980. The avant-garde trumpeter/semi-minimalist Jon Hassell had never really found his musical niche until he teamed up with Brian Eno for this groundbreaking collaboration in 1980. With some expert help from Brazilian percussionist Nana Vasconcelos, the pop modernists Hassell and Eno here apply deliberate brushstrokes of electronically-treated color to "exotic" third-world vistas in creating a precursor to Peter Gabriel's PASSION, another electronic fantasia on world music. One could claim that the whole concept really derives from the electric Miles Davis of the previous decade, a jumble of ethnic rhythms and electronic instruments punctuated by a spare lonely trumpet. Except that Hassel and Eno retain a beautifully austere, near scientific detachment from their ethnic sources, whether these be African, Indian, Indonesian--it doesn't really matter. In studied contrast to the possible musical exploitations of a '50s exotica "imperialist" like Martin Denny, this new breed of musical anthropologist carefully surveys and maps the landscape from on high--see the 20-minute "Charm (Over 'Burundi Cloud')"--instead of just traveling through.

Personnel: Jon Hassell (trumpet, prophet 5 synthesizer); Brian Eno (guitar, prophet 5 synthesizer, minimoog synthesizer); Percy Jo

Personnel: Carol Noonan (vocals, acoustic guitar), Kevin Barry (acoustic & electric guitars), Duke Levine (electric guitar, mandolin, lap steel), Tom West (Hammond organ), Paul Bryan (electric bass, background vocals), Ben Wittman (drums), Martin Sexton (background vocals). Recorded at My Generation, Somerville, Massachusetts. All songs written or co-written by Carol Noonan except "She Moved Through The Fair" (traditional).

Personnel: Carol Noonan (vocals, acoustic guitar), Kevin Barry (acoustic & electric guitars), Duke Levine (electric guitar, mandol

Personnel includes: Denny Freedman (guitar, piano); Kaz Kazanoff, Joe Sublett (saxophone); Gary Vajgrt (trumpet); Steve Pentecost (piano); Nick Connolly (organ); Sarah Brown (bass, glockenspiel); Alex Napier, Jack Moore (bass); Gary "Mudcat" Smith, George Rains, Wes Starr (drums); Kim Wilson (glockenspiel, bells); Paul Ray, Frank Christina (bells). All tracks have been digitally remastered.

Personnel includes: Denny Freedman (guitar, piano); Kaz Kazanoff, Joe Sublett (saxophone); Gary Vajgrt (trumpet); Steve Pentecost

Personnel: Sam Cooke (vocals); Rene Hall (conductor); Clif White, Barney Kessell (guitar); Raymond Johnson (piano); Billy Preston (organ); Edward Hall (bass, drums); Clifford Hills (bass); Hal Blaine (drums). Producers: Hugo & Luigi. Reissue producer: Paul Williams. Recorded in February 1963. Includes liner notes by Michael Hill. Digitally remastered by Bill Lacey (Digital Sound & Picture, New York, New York).

Personnel: Sam Cooke (vocals); Rene Hall (conductor); Clif White, Barney Kessell (guitar); Raymond Johnson (piano); Billy Preston

Upper Crust: Lord Bendover, Lord Rockingham (guitar, vocals); The Duc d'Istortion (guitar); The Marquis de Roque (bass); Jackie Kickassis (drums). Producers: Sean Slade, Paul Kolderie, Carl Plaster, Tim O'Heir. Recorded at Fort Apache, Cambridge, Massachusetts; Q Division and Downtown Recorders, Boston, Massachusetts; Room 9, South Boston, Massachusetts; The Outpost, Stoughton, Massachusetts. All songs written by members of Upper Crust.

Upper Crust: Lord Bendover, Lord Rockingham (guitar, vocals); The Duc d'Istortion (guitar); The Marquis de Roque (bass); Jackie Ki

All tracks have been digitally remastered. Not so much a greatest-hits album as an exercise in what you can do with a few good backing riddims and a plethora of tuneful artistes, DANCEHALL CULTURE is an 18-track voyage through the repertoire of the best reggae and dancehall tracks the Easy Star label has to offer. Veteran singer Frankie Paul, sounding huskier with age but no less tuneful than of yore, contributes "Just One Moment Away," a lovers rock variation on the seminal old school "Cool Down" rhythm. Anthony B's "Third Eye Blind" is a slice of modern-day Rasta delivered in vintage roots style over a percolating "Thai Stick" backing track. A refreshing, airy highlight of the set is dancehall classicist Half Pint's irresistible "Love Potion Number 9," a litany of things with which to do your woman right. Anthony B's coruscating anti-abortion disputation "Love So Divine" is a curious combination of dancehall and polemic that'll be sure to lead to some heated debates on the dancefloor, while "Hit Tune," Guyanese's interpretation of the same rhythm delivered in almost impenetrable patois, is as cheerfully airheaded as its predecessor is self-righteously apocalyptic. For good measure DANCEHALL CULTURE includes a few smooth instrumental dub versions.

All tracks have been digitally remastered. Not so much a greatest-hits album as an exercise in what you can do with a few good bac

Wrangler Men's and Big Men's Relaxed Fit Jeans

Wrangler Men's and Big Men's Relaxed Fit Jeans

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Gil Evans (piano); Steve Lacy (soprano saxophone); Lee Konitz (alto saxophone); Louis Mucci, John Carisi, Jake Koven (trumpet); Jimmy Cleveland (trombone); Bart Varsalona (bass trombone); Willie Ruff (French horn); Dave Kurtzer (bassoon); Paul Chambers (bass); Nick Stabulas, Jo Jones (drums). Recorded at the Van Gelder Studio, Hackensack, New Jersey on September 6 & 27 and October 10, 1957. Originally released on Prestige (7120). Includes original liner notes by Ira Gitler.

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Gil Evans (piano); Steve Lacy (sop

Morelenbaum2/Sakamoto: Paula Morelenbaum (vocals); Jaques Morelenbaum (cello); Ryuichi Sakamoto (piano). Additional personnel: Ed Motta (vocals); Paulo Jobim, Luiz Brasil (acoustic guitar); Zeca Assumpcao (bass); Marcos Suzano (percussion). Recorded at The House Of Jobim, Brazil Mega Studios and Brazil Discover Studios, Rio De Janeiro, Brazil.

Morelenbaum2/Sakamoto: Paula Morelenbaum (vocals); Jaques Morelenbaum (cello); Ryuichi Sakamoto (piano). Additional personnel: Ed

Paul Revere and the World He Lived in: Winner of the Pulitzer Prize, (Paperback)

Paul Revere and the World He Lived in: Winner of the Pulitzer Prize, (Paperback)

Personnel: Kristina Olsen (vocals, guitar, steel guitar, concertina); Paul Kamm (vocals); Nina Gerber (acoustic & electric guitars); Keith Allen (guitar, electric slide guitar); Mike Marshall (mandoli

Personnel: Kristina Olsen (vocals, guitar, steel guitar, concertina); Paul Kamm (vocals); Nina Gerber (acoustic & electric guitars

New Christy Minstrels include: Randy Sparks, Gene Clark, Nick Woods, Art Podell, Jerry Yester, Barry McGuire, Ann White, Barry Kane, Karol Dugan, Gayle Caldwell, Karen Gunderson, Paul Potash. Recorded between April 1962 & April 1965. Includes liner notes by Tom Pickles. Digitally remastered by Debra Parkinson.

New Christy Minstrels include: Randy Sparks, Gene Clark, Nick Woods, Art Podell, Jerry Yester, Barry McGuire, Ann White, Barry Kan

THE ELEPHANT RIDERS is an Enhanced CD containing both a full audio program as well as multimedia computer files and free access to the internet. Clutch: Neil Fallon (vocals); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums). Additional personnel: Delfeayo Marsalis (trombone). Principally recorded at Electric Lady Studios and Manhattan Center Studios, New York, New York. True to its title, THE ELEPHANT RIDERS by Maryland natives Clutch is a mighty behemoth of sound, maintaining a perfectly frightening level of pure testosterone throughout. The sheer machismo is given a disarming level of agility by acrobatic drummer Jean-Paul Gaster, who employs funky accents and daring meter switches to smarten up Clutch's Neanderthal assault. With guitars as sinewy as they are mighty, the beefy sound of Clutch recalls the thick lead work of early Kiss. However, any nostalgia is quickly dismissed by such modern touches as the wildly manipulated multi-track vocals "Ship Of Gold," the offbeat story telling and tempo shifts of "The Soapmakers," and the Chili Peppper-esque rap of "The Yeti," which catapult Clutch ahead of the retro-peddling masses and into the future of hard rock.

THE ELEPHANT RIDERS is an Enhanced CD containing both a full audio program as well as multimedia computer files and free access to

Orchestre National De Jazz: Paolo Damiani (director, cello); Mederic Collignon (vocals, pocket trumpet, flugelhorn); Thomas De Pourquery (soprano, alot & tenor saxophones); Jean-Marc Larche (soprano, alto & baritone saxophones); Francois Jeanneau (soprano saxophone, flute); Alain Vankenhove (trumpet, flugelhorn); Gianluca Petrella (trombone); Didier Havet (sousaphone); Regis Huby (violin); Olivier Benoit (guitar); Paul Rogers (double-bass); Christophe Marguet (drums). Additional personnel: Gianluigi Trovesi (alto saxophone, piccolo clarinet); Anouar Brahem (oud). Recorded live in Montbeliard, France on October 15-16, 2001.

Orchestre National De Jazz: Paolo Damiani (director, cello); Mederic Collignon (vocals, pocket trumpet, flugelhorn); Thomas De Pou

The Enduring Shore: A History of Cape Cod, Martha's Vineyard, and Nantucket -- Paul Schneider

The Enduring Shore: A History of Cape Cod, Martha's Vineyard, and Nantucket -- Paul Schneider

Bishop Paul S. Morton, SR. - Let It Rain - Music & Performance - CD

Bishop Paul S. Morton, SR. - Let It Rain - Music & Performance - CD

Personnel: Pete Escovedo (vocals, percussion, timbales); Brenda Roy (vocals); Peter Michael Escovedo (vocals, drums, percussion); Juan Escovedo, Sheila Escovedo (vocals, percussion, congas); John Handy (alto saxophone); Gerald Albright, Alex Murzyn (tenor saxophone); Melecio Magdaluyo (saxophone, flute); Mel Martin (bass clarinet); Bill Ortiz, Louis Fasman, John Worley, Mike Galisatus (trumpet); Robbie Kwock (trumpet, flugelhorn); Marty Wehner, Wayne Wallace, Jeff Cressman (trombone); Buddy Montgomery (vibraphone); Renato Neto, Jeff Chimenti, Murray Low (piano); Dave Mathews (piano, synthesizer); Ray Obiedo (synthesizer, guitar); Steve Erquiaga (acoustic guitar); Mark Van Wageningen, Derek Jones (bass); Paul Van Wageningen (drums); Van Waller (percussion); Juanita Escovedo (guiro).

Personnel: Pete Escovedo (vocals, percussion, timbales); Brenda Roy (vocals); Peter Michael Escovedo (vocals, drums, percussion);

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