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Mens Big & Tall Jeans

Full title: 20th Century Masters: The Millennium Collection: The Best Of The Contours. The Contours: Billy Gordon, Sylvester Potts, Joe Billingslea, Billy Hoggs, Hubert Johnson, Joe Stubbs, Dennis Edwards (vocals). Producers include: Berry Gordy, William "Smokey" Robinson, Robert Rogers, Clarence Paul, Richard Street. Compilation producer: Harry Weinger. Recorded between 1961 & 1967. Includes liner notes by Stu Hackel. This is part of Universal Records "20th Century Masters The Millenium Collection" series. Though "First I Look at the Purse" was later revived to great effect by the J. Geils Band, the song that cements the legend of Detroit's Contours is "Do You Love Me," a primal R&B howl that melds the spirit of the Isley Brothers, Jackie Wilson, and Barrett Strong into two minutes and 54 seconds of unbridled looseness, locomotion, and lust. Perfectly syncopated rhythms and raspy shouting get the unmistakable message across with a visceral quality seldom heard in that early-1960s era. As this excellent career summary shows, it wasn't just a one-shot either; see the aforementioned "Purse," or the equally raucous dance tune "Can You Jerk Like Me." Later on, through countless personnel changes, the Contours conformed more and more to the Motown monolith's signature sound, but even at their most genteel they were gutsier than most.

Full title: 20th Century Masters: The Millennium Collection: The Best Of The Contours. The Contours: Billy Gordon, Sylvester Potts

Personnel: Bob Sneider (guitar); Paul Hofman (piano).

Personnel: Bob Sneider (guitar); Paul Hofman (piano).

Personnel: Mike Ireland (vocals, bass, glockenspiel); Michael Lemon (guitar, lap steel guitar, mandolin); Dan Mesh (guitar, background vocals); Paul Lemon (drums). Additional personnel: Peter Kent, Nancy Roth (violin); Korrie Prescott (viola); Steve Richards (cello); David Vaught (accordion); Benmont Tench (piano). Producers: Marvin Etzioni, Mike Ireland, Holler, Michael Deming. Recorded at Studio Seven and Ocean Way Studios, Los Angeles, California. Mike Ireland draws inspiration from the '60s and '70s orchestral settings that have come to typify both the strengths and weaknesses of Nashville's assembly line approach to music. LEARNING HOW TO LIVE celebrates the emotional resonance of Billy Sherrill's infamous production techniques rather than his parallel tendencies towards cloying schlock. The richly orchestrated strings soar, enveloping Ireland and his combo. Ireland's singing brings to mind the voice of Poco's Richie Furay. In fact, subtract the cartoon-ish quality from Poco (a rock outfit that loves country but is still rock & roll), and you have a fair comparison for Mike Ireland and Holler. These songs are full of learning, lying, loving, and losing-the staples of every beating heart and furrowed brow. Loss is examined, not as a cul-de-sac of despair but as a map to greater understanding and a richer life. There's a resonant maturity to Ireland's songs, the arrangements and the performances making for a quietly stunning whole.

Personnel: Mike Ireland (vocals, bass, glockenspiel); Michael Lemon (guitar, lap steel guitar, mandolin); Dan Mesh (guitar, backgr

ADVENT AT ST. PAUL'S [034571169941]

ADVENT AT ST. PAUL'S [034571169941]

Personnel includes: Glenn Medeiros (vocals), Wendy Kerner (harp), John Hanulik (oboe), Jeff Tyzik (piccolo trumpet, flugelhorn, keyboards, percussion), Jerry Peel (French horn), Rob Mathes (keyboards, acoustic & electric guitars, background vocals), Leon Gaer (bass), Joe Bonadio (drums, percussion), Arthur Lipner (steel drum), Dave Mancini (percussion), Andy Calabrese (synthesizer programming), Paula Hanke (background vocals), The Honolulu Boy Choir, The Stamford Festival String Orchestra. Recorded at the Carriage House Studios, Stamford, Connecticut, and Audio Resource, Honolulu, Hawaii.

Personnel includes: Glenn Medeiros (vocals), Wendy Kerner (harp), John Hanulik (oboe), Jeff Tyzik (piccolo trumpet, flugelhorn, ke

Personnel: Paul Shanklin (Bill Clinton, background vocals); Ed Walker (Larry King); Carole Shanklin Allen (Hillary Rodham Clinton, secretary, background vocals); Jack Parnell (voiceovers); Danny Parks (acoustic guitar); Chris Leuzinger, David Shanklin (guitar); Steve Orth (saxophone); Dennis Burnside (keyboards); Michael Chapman (bass); Milton Sledge (drums); Michael Black, Greg Sublett, Tom Flora (backgound vocals). Recorded at Music Mill Recording Studio, Nashville, Tennessee; Rockingchair Recording Studios and Wilkerson Sound Studio, Memphis, Tennessee. Engineers include: Terry Bates, Todd Cultoss, Alan Mullins.

Personnel: Paul Shanklin (Bill Clinton, background vocals); Ed Walker (Larry King); Carole Shanklin Allen (Hillary Rodham Clinton,

Music composed by Jule Styne. Lyrics written by Stephen Sondheim. Principal cast includes: Rosalind Russell (Mama Rose); Natalie Wood (Gypsy Rose Lee); Karl Malden (Herbie Sommers); Paul Wallace (Tulsa); Ann Jillian. Recorded at Warner Bros. Studios, Burbank, California. Originally released on Warner Bros. (1480). Includes liner notes by George Feltenstein.

Music composed by Jule Styne. Lyrics written by Stephen Sondheim. Principal cast includes: Rosalind Russell (Mama Rose); Natalie W

Paulina Rubio: Top Hits

Paulina Rubio: Top Hits

The 36-Hour Day (Paperback) by Ms. Nancy L Mace, Peter V Rabins, Dr. Paul R McHugh

The 36-Hour Day (Paperback) by Ms. Nancy L Mace, Peter V Rabins, Dr. Paul R McHugh

ONE MORE NIGHT compiles Paul Glasse's previous two albums, PAUL GLASSE and THE ROAD TO HOME, and includes three previously unreleased tracks.

ONE MORE NIGHT compiles Paul Glasse's previous two albums, PAUL GLASSE and THE ROAD TO HOME, and includes three previously unrelea

Relaxed-Fit Jeans

Relaxed-Fit Jeans

Wrangler Men's and Big Men's Relaxed Fit Jeans

Wrangler Men's and Big Men's Relaxed Fit Jeans

Personnel includes: Paul Smith (guitar, banjo, fiddle); Bert Hatfield (guitar, banjo); Roger Cooper (guitar, mandolin); John Reed (guitar); Owen "Snake" Chapman (fiddle).

Personnel includes: Paul Smith (guitar, banjo, fiddle); Bert Hatfield (guitar, banjo); Roger Cooper (guitar, mandolin); John Reed

5-Pocket Jean

5-Pocket Jean

Relaxed Fit Jean

Relaxed Fit Jean

Relaxed Fit Jean

Relaxed Fit Jean

Faded Glory Relaxed-Fit Jeans

Faded Glory Relaxed-Fit Jeans

Authentic Fit Jean

Authentic Fit Jean

Faded Glory Relaxed-Fit Jeans

Faded Glory Relaxed-Fit Jeans

Relaxed Fit Jean

Relaxed Fit Jean

Relaxed Fit Jean

Relaxed Fit Jean

Grandfather's Memories to His Grandchild (Hardcover) by Candy Paull

Grandfather's Memories to His Grandchild (Hardcover) by Candy Paull

Faded Glory Relaxed-Fit Jeans

Faded Glory Relaxed-Fit Jeans

Personnel: Ulisses Rocha (acoustic guitar); Pedro Ivo (electric bass); Joao Parahyba (percussion). Engineers: Alberto Ranellucci, Sergio Augusto Ribeiro, Daniel Silveira. Recorded at Digital Studios, Sao Paulo, Brazil. Includes liner notes by Oscar Castro-Neves.

Personnel: Ulisses Rocha (acoustic guitar); Pedro Ivo (electric bass); Joao Parahyba (percussion). Engineers: Alberto Ranellucci,

Personnel: McKinley (acoustic bass, vocals); Steve Hale (guitar, background vocals); Marty Jennings (violin); James Smith (cello); Wendy Karden (flute); Edward Givens (clarinet, flute); John Morrow (saxophone); Paul Mazzio (trumpet); Brian Davis (drums, percussion); Michelle Hale (background vocals). Recorded at Dead Aunt Thelma's Studio, Portland, Oregon.

Personnel: McKinley (acoustic bass, vocals); Steve Hale (guitar, background vocals); Marty Jennings (violin); James Smith (cello);

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