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The Replacements: Paul Westerberg (vocals, guitar, lap steel, mandolin, piano, percussion); Bob Stinson (guitar); Tommy Stinson (bass, background vocals); Chris Mars (drums, maracas). Additional personnel: Peter Buck (guitar); Chan Poling (piano). Producers: Steve Fjelstad, Paul Westerberg, Peter Jesperson. Recorded at Blackberry Way Studios, Minneapolis, Minnesota. All tracks have been digitally remastered. The Replacements were one of America's greatest bands of the 80s, irrespective of genre, though they received thin acknowledgement outside of informed critics during their lifetime. LET IT BE demonstrates why they drove fans to devotion and critics to supplication. It was 1984, and the Replacements had left behind their sonic links to the Minneapolis punk scene. In particular, Paul Westerberg's songs had lost the timerity of old and he was increasingly willing to tackle subjects head on - "Unsatisfied" is arguably the best song he ever wrote. However profundity aside, there is also a huge sense of fun about LET IT BE, and even throwaway material like "Gary's Got A Boner," and their cover of Kiss's "Black Diamond," is enormous fun.

The Replacements: Paul Westerberg (vocals, guitar, lap steel, mandolin, piano, percussion); Bob Stinson (guitar); Tommy Stinson (b

Personnel includes: Paul Taylor (saxophone). Producer: Jeff Lorber. Compilation producers: Carl Griffin, Eulis Cathey. Recorded between 1995 & 2001.

Personnel includes: Paul Taylor (saxophone). Producer: Jeff Lorber. Compilation producers: Carl Griffin, Eulis Cathey. Recorded be

Chamber Music of Paul Mathey

Chamber Music of Paul Mathey

Personnel: Jimmy Witherspoon (vocals), Teddy Edwards (tenor saxophone), Gerald Wiggins (piano), John Clayton (bass), Paul Humphrey (drums) Recorded live at the Grand Avenue Bar, Los Angeles on October 24-25, 1988.

Personnel: Jimmy Witherspoon (vocals), Teddy Edwards (tenor saxophone), Gerald Wiggins (piano), John Clayton (bass), Paul Humphrey

Personnel: Paul Brasch (vocals, guitar); Damian Coen (harmonica); John "Midnight" Cage (spoons, brushes).

Personnel: Paul Brasch (vocals, guitar); Damian Coen (harmonica); John "Midnight" Cage (spoons, brushes).

Personnel includes: Cathy Fink (vocals, guitar); Marcy Marxer (vocals, guitar, mandolin); Mike Stein (vocals); Paul Bell, Steve Abshire (guitar); Tony Nalker (piano); Tommy Cecil (bass); Clyde Connor (drums).

Personnel includes: Cathy Fink (vocals, guitar); Marcy Marxer (vocals, guitar, mandolin); Mike Stein (vocals); Paul Bell, Steve Ab

Personnel: Lonnie Robertson (fiddle); Paul Jones, Gordon McCann, Wayne Lawson (guitar); Troy Wilson (banjo); Art Galbraith (mandolin, fiddle); Melvin Lawrence.

Personnel: Lonnie Robertson (fiddle); Paul Jones, Gordon McCann, Wayne Lawson (guitar); Troy Wilson (banjo); Art Galbraith (mandol

Personnel: Paul Kelly (vocals, guitar); Spencer P. Jones (guitar, background vocals); Shane O'Mara (guitar); Bruce Haymes (keyboards, background vocals); Steven Hadley (bass, background vocals); Peter

Personnel: Paul Kelly (vocals, guitar); Spencer P. Jones (guitar, background vocals); Shane O'Mara (guitar); Bruce Haymes (keyboar

Personnel: Tony Malaby (soprano saxophone, tenor saxophone); Drew Gress (double bass); Paul Motian (drums). Producers: Pierre-Henry Chaveau; Tom Terrell. Recording information: Systems Two Studios, Brooklyn, New York (03/25/2003).

Personnel: Tony Malaby (soprano saxophone, tenor saxophone); Drew Gress (double bass); Paul Motian (drums). Producers: Pierre-Henr

Personnel: Curtis Fuller (trombone); Red Garland (piano); Sonny Red (alto saxophone); Paul Chambers (bass); Louis Hayes (drums). Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 14, 1957. Includes liner notes by Robert Levin. Digitally remastered by Kirk Felton (1995, Fantasy Studios, Berkeley, California. CURTIS FULLER WITH RED GARLAND, recorded in 1957, is filled with remarkable performances by Fuller and his quintet. The opening track, "Seeing Red," immediately sets the scene, showing off the improvisational prowess of this lauded trombonist. Fuller's playing is smooth and articulate, and his tone is dark and breathy; these qualities are enhanced by the stunning support of pianist Red Garland. There are only two standards on this record--the reflective and picturesque ballads "Stormy Weather" and "Moonlight Becomes You." Teddy Charles's tune "Roc & Troll" is also exceptional; it swings hard, and features fine solos from Fuller, Garland, and alto saxophonist Sonny Red Kyner (credited here as just "Sonny Red"). Interestingly, on this tune, Kyner briefly quotes the melody from the Rodgers & Hart composition "Bewitched" in his solo. An inspired set, CURTIS FULLER WITH RED GARLAND is one of the best neo-bop albums of the '50s.

Personnel: Curtis Fuller (trombone); Red Garland (piano); Sonny Red (alto saxophone); Paul Chambers (bass); Louis Hayes (drums). R

Full performer name: Alex Bartha's Hotel Traymore Orchestra/Roane's Pennsylvanians. Personnel includes: Alex Bartha (conductor); Carl White, Cliff Nazarro, Bobby Roberts, Snowball (vocals); Ziggy Elman (trombone). Recorded in 1932. Includes liner notes by Paul Bergess. Digitally remastered by George Morrow.

Full performer name: Alex Bartha's Hotel Traymore Orchestra/Roane's Pennsylvanians. Personnel includes: Alex Bartha (conductor); C

Oh My God: Billy O'Neill (vocals, bass); Iguana (piano, organ, background vocals); Bish (drums). Additional personnel: Doug McBride (acoustic guitar, ebow, tambourine, percussion); Eric Remsheider (cello); Matt Lewis (trumpet); Paul Knegten (percussion); Mike Hari (saw); Noble Hibbs (programming, background vocals); Anthony Shaw (background vocals); Megan Cahill, Art Auerbach. Partially recorded at Smart Studios, Madison, Wisconsin.

Oh My God: Billy O'Neill (vocals, bass); Iguana (piano, organ, background vocals); Bish (drums). Additional personnel: Doug McBrid

The Bacon Brothers: Michael Bacon (vocals, acoustic & nylon string guitars, cello); Kevin Bacon (vocals, acoustic guitar, hand claps). Additional personnel: Jon Herrington (acoustic, electric & slide guitars); Ira Siegel, John Putnam, Marc Shulman (electric guitar); Jack Pearson (slide guitar); Larry Franklin (fiddle); Terry McMillan (harmonica); Charlie Giordano (accordion); Irwin Fisch (piano, organ); Doug Hall, Rob Galbraith (organ); Paul Guzzone (electric bass, background vocals); Frank Vilardi (drums, doumbek); Marshal Rosenberg (percussion, hand claps); Jimmy Doherty, Casey Galbraith (hand claps). Recorded at Back Pocket Recording Studios, New York, New York.

The Bacon Brothers: Michael Bacon (vocals, acoustic & nylon string guitars, cello); Kevin Bacon (vocals, acoustic guitar, hand cla

Personnel includes: Liza Minnelli (vocals); Caleb Quaye, Richie Zito, Steve Morse (guitar); Robbie Robinson (piano, electric piano, synthesizer); Jim Grady (piano, electric piano); Victor Feldman (vibraphone, marimba); Rex Robinson (bass); Denny Seiwell (drums); Paulinho Da Costa (percussion). Recorded at Hollywood Sound Recorders and Western Studio One, Hollywood, California. Originally released on Columbia (34887).

Personnel includes: Liza Minnelli (vocals); Caleb Quaye, Richie Zito, Steve Morse (guitar); Robbie Robinson (piano, electric piano

THE MIND OF GIL SCOTT-HERON is a compilation of his best-known spoken-word pieces. Personnel includes: Gil Scott-Heron (spoken vocals, keyboards); Paul Weller (keyboards); Robert Gordon (bass). Recorded between 1973 and 1990. Includes liner notes by Gil Scott-Heron.

THE MIND OF GIL SCOTT-HERON is a compilation of his best-known spoken-word pieces. Personnel includes: Gil Scott-Heron (spoken voc

22 LPs on 15 CDs representing the entire existing output of the 30 occasions (studio sessions and live dates) on which Monk recorded for Riverside; 153 performances covering 1955 to 1961, in chronological order. The set includes partial takes, in-studio conversation, and 14 previously unissued items. Personnel includes: Thelonious Monk (piano); Gigi Gryce, Ernie Henry (alto saxophone); John Coltrane, Sonny Rollins, Coleman Hawkins, Charlie Rouse, Johnny Griffin, Harold Land (tenor saxophone); Gerry Mulligan (baritone saxophone); Joe Gordon, Ray Copeland, Clark Terry, Donald Byrd (trumpet); Thad Jones (cornet), Paul Chambers, Sam Jones, Percy Heath, Wilbur Ware, Oscar Pettiford, John Ore (bass); Shadow Wilson, Kenny Clarke, Philly Joe Jones, Shelly Manne, Art Blakey, Max Roach, Roy Haynes, Art Taylor, Billy Higgins, Frankie Dunlop (drums). Producer: Orrin Keepnews. Compilation producer: Orrin Keepnews. Engineers include: Rudy Van Gelder, Jack Higgins, Ray Fowler. Recorded between 1955 and 1961. Includes liner notes by Orrin Keepnews. Digital remastering by Danny Kopelson (Fantasy Studios, Berkeley, California) and Takeshi Miyagishima (Victor Studios, Tokyo).

22 LPs on 15 CDs representing the entire existing output of the 30 occasions (studio sessions and live dates) on which Monk record

Personnel: Dennis Brown (vocals); Dwight Pickney (guitar); Dean Fraser, David Madden, Ronald Robinson (horns); Danny "Axeman" Thompson (keyboards, bass, drums); Robert Lyn, Handel Tucker (keyboards); Fiona Robinson, Michael Mendez, Althea Hamilton, Paul Murray, Leiba Heibert, Michelle Anderson, Heather Cummings, Judith Bodley, Connie Campbell (background vocals). Engineers include: Delroy "Fatta" Pottinger, Garfield McDonald, Delroy Harrison. Recorded at Music Works Recording Studios, Kingston, Jamaica. Two months after Dennis Brown's untimely passing in July 1999, STONE COLD WORLD was released. Billed as his last work, that designation may have set off alarms that STONE COLD was one of those hastily compiled albums hoping to capitalize on a tragedy. However, that's not the case. Although this is a very poppy, mostly lovers' rock album, it is well-crafted by celebrated producer Augustus "Gussie" Clarke. The 13 tracks are done in Gussie's dub-flavored, bubbly-sounding digital style (though "real" musicians, like sax man Dean Fraser and guitarist Dwight Pickney, are among those credited on the disc). The pace of the riddims is briskly uptempo, and on several, including the opening "Life is a Mystery," Brown seems a little behind the riddim. "Let's Start Something Serious (Tonight)," and "Merry Go Round" are a couple of the catchier tunes, none of which were written by Brown.

Personnel: Dennis Brown (vocals); Dwight Pickney (guitar); Dean Fraser, David Madden, Ronald Robinson (horns); Danny "Axeman" Thom

Full performer name: Paul Quinn & The Independent Group. Paul Quinn & The Independent Group: Paul Quinn, Alan Horne, James Kirk, Jane-Marie O'Brien.

Full performer name: Paul Quinn & The Independent Group. Paul Quinn & The Independent Group: Paul Quinn, Alan Horne, James Kirk, J

Paul Gilbert: Highlights

Paul Gilbert: Highlights

Full performer name: Mary Stallings/Gene Harris Quartet. Personnel: Mary Stallings (vocals); Gene Harris (piano); Ron Eschete (guitar); Luther Hughes (bass); Paul Humphrey (drums).

Full performer name: Mary Stallings/Gene Harris Quartet. Personnel: Mary Stallings (vocals); Gene Harris (piano); Ron Eschete (gui

Levi Strauss Signature - Big Men's Relaxed Fit Jeans

Levi Strauss Signature - Big Men's Relaxed Fit Jeans

The Replacements: Paul Westerberg (vocals, guitar); Bob Stinson (guitar); Tommy Stinson (bass); Chris Mars (drums). Recorded at Blackberry Way, Minneapolis, Minnesota on March 13, 1982. All tracks have been digitally remastered. Like the band's debut, SORRY MA, FORGOT TO TAKE OUT THE TRASH, this follow-up EP pays homage to punk rock by keeping things loud, sloppy, hard and relentlessly paced. Pile-driving rhythms by drummer Chris Mars and bassist Tommy Stinson, screaming leads from guitarist Bob Stinson and the shredded, breathless vocals of Paul Westerberg fuel these slices of white knuckle hardcore. The effect created is the sonic equivalent of a speeding car careening through a wall of burning televisions. The track titles say it all. "Kids Don't Follow," "Fuck School," "Goddamn Job," "Dope Smokin' Moron," and "Gimme Noise" should, in musical execution and thematic orientation, convince any listener beyond a shadow of a doubt of STINK's pure punk ethos. Like their similarly styled contemporaries Husker Du and Soul Asylum, the Replacements grew as musicians and songwriters, with a greater concern for melody, throughout the '80s; STINK is an ear-shaking testament to the band's no nonsense, hardcore roots.

The Replacements: Paul Westerberg (vocals, guitar); Bob Stinson (guitar); Tommy Stinson (bass); Chris Mars (drums). Recorded at Bl

Musicians: Dean Fraser (horns); Winston "BoPee" Bowen, Maurice Gordon, Leebert "Gibby" Morrison (guitar); Nambo Robinson, David Madden (horns); Raymond "Bowie" McLaughlin, Paul "Wrong Move" Crosdale (keyboards); Micheal Fletcher, Donald Dennis (bass); Sly Dunbar, O.D., Melbourne "Uncle Dusty" Miller, Paul Kastick (drums); Paul "Limey" Murray, Dalton Browne, Leba Hibbert Thomas (background vocals).

Musicians: Dean Fraser (horns); Winston "BoPee" Bowen, Maurice Gordon, Leebert "Gibby" Morrison (guitar); Nambo Robinson, David Ma

Infiltration: How Muslim Spies and Subversives Have Penetrated Washington (Hardcover) by Paul Sperry

Infiltration: How Muslim Spies and Subversives Have Penetrated Washington (Hardcover) by Paul Sperry

Manhattan Transfer: Alan Paul, Janis Siegel, Cheryl Bentyne, Tim Hauser (vocals). Additional personnel includes: Wayne Johnson (guitar); Lew Soloff (trumpet). Recorded live at Orchard Hall, Tokyo, Japan in December 2000. Includes liner notes by Bob Blumenthal.

Manhattan Transfer: Alan Paul, Janis Siegel, Cheryl Bentyne, Tim Hauser (vocals). Additional personnel includes: Wayne Johnson (gu

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