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Full title: Twistin' On The Devil's Fork: Live At CBGB's 1977 & 1978. Although they started in Cleveland as one of the two offshoots of the arty proto-punks Rocket From The Tombs, the Dead Boys quickly moved to New York and gained a reputation as possibly the most genuinely nihilistic band on the CBGB's scene. This collection of board and audience tapes from the group's early heyday shows off Stiv Bators, Cheetah Chrome and the boys at their young, loud, and snotty best. They alternately bait the audience and casually tear off early New York punk classics like "Sonic Reducer," "Caught With the Meat in Your Mouth," and the non-LP "Son of Sam" with even more abandon than on either of their albums. The sound quality is sometimes iffy, but this is an essential document of New York punk.

Full title: Twistin' On The Devil's Fork: Live At CBGB's 1977 & 1978. Although they started in Cleveland as one of the two offshoo

Carlo Bergonzi possessed one of the most refined Italian tenor voices of his generation. Although not a powerhouse, he brought great skill and beauty to a wide variety of operatic roles. He was wonderfully convincing in Verdi, Puccini, and the verismo school as well as in Donizetti and Bellini. The present recital presents him in Italian song (with the bonus of an aria from the tenor's complete recording of Puccini's 'Edgar') where the only real complaint is that it is too short, being constrained by the limitations of the original length of the LP release. Italian song is very different from either the German lied or the French mￃﾩlodie. In these comparative trifles by Bellini, Verdi, Rossini and others, the music is most often strophic, with the emphasis usually on charm. They make considerable demands on the singer to characterize the words and to reinterpret the unchanging music to the individual situation of each verse. In this, Bergonzi and his estimable accompanist, John Wustman, need fear no comparisons with the legends of the past or present. These 1977 recordings catch him towards the end of his major career but in fully in command of this enchanting repertoire.

Carlo Bergonzi possessed one of the most refined Italian tenor voices of his generation. Although not a powerhouse, he brought gre

2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk Felton (2000, Fantasy Studios, Berkeley, California). TRIO AND SOLO: Personnel: Randy Weston (piano); Sam Gill (bass); Art Blakey (drums). Engineers: Rudy Van Gelder, Jack Higgins. Recorded at the Van Gelder Studio, Hackensack, New Jersey on January 25, 1955 and in New York, New York on September 10, 1956. Originally released on Riverside (227). COLE PORTER IN A MODERN MOOD: Personnel: Randy Weston (piano); Sam Gill (bass). Recorded in New York, New York in April 27, 1954. Originally released on Riverside (2508).

2 LP's on 1 CD: TRIO AND SOLO/COLE PORTER IN A MODERN MOOD. Includes liner notes by Orrin Keepnews. Digitally remastered by Kirk F

Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977.All selections were previously released on Pablo Live 2620-105. This collection contains the material not included on each artist's Montreux '77 session LP.

Recorded live by Mountain Recording Studios at the Montreux Jazz Festival on July 13-14, 1977.All selections were previously relea

Gainsbourg Fait Chanter Regine

Gainsbourg Fait Chanter Regine

Mongo Santamaria - Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Chick Corea, Carmen Costa, Carmelo Garcia, Rodgers Grant, Marcellino Guerra, Wito Kortwright, Hubert Laws, Ray Lucas, "Chihuahua" Martinez, Pat Patrick, Elliot Romero, Paul Serrano, Marty Sheller, "To-Tiko," Victor Venegas.Recorded between July of 1962 and the spring of 1964.2 LP's on 1 CD.

Mongo Santamaria - Personnel: Mongo Santamaria, Al Abreu, Nat Adderley, Jose De Paulo, Bobby Capers, Jimmy Cobb, Julio Collazo, Ch

2 LP's on 1 CD: What About Me/Anniversary Album (1960).

2 LP's on 1 CD: What About Me/Anniversary Album (1960).

Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long Like This") not available on the original LP release. Includes eight bonus tracks. Dream Syndicate: Steve Wynn (vocals, guitar). Liner Note Author: Pat Thomas . 1988's GHOST STORIES is an impressive follow up to the desert-rock foray of 1986's OUT OF THE GREY. Guitarist Paul B. Cutler sounds more fully integrated into the band than on the previous album, and singer/songwriter Steve Wynn's tunes are sharper and more direct than anything since the band's phenomenal debut, THE DAYS OF WINE AND ROSES; the tender ballad "Whatever You Please" is one of his finest songs. Elsewhere, the bluesy "Withered and Torn" and "Loving the Sinner, Hating the Sin" reveal a surprisingly apropos British R&B aspect of Wynn's songwriting, more John Mayall's Bluesbreakers than Stax/Volt. This version includes bonus tracks not on the Enigma Records original.

Dream Syndicate includes: Steve Wynn, Chris Cacavas. GHOST STORIES contains 2 tracks ("Now I Ride Alone" and "I Ain't Living Long

Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (guitar); Morty Corb, Ed Garland (bass); Shelly Manne, Minor Hall (drums). Recorded in Los Angeles, California on April 2, 1954, April 13, 1955 and February 16, 1956. Tracks 1-10 originally released on Contemporary (5002). Tracks 11-18 originally released as the 10-inch LP CLAIRE AUSTIN SINGS THE BLUES WITH KID ORY on Good Time Jazz (L-24). Includes liner notes by Lester Koenig and S.I. Hayakawa. Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California).

Personnel: Claire Austin (vocals); Bob Scobey (trumpet); Kid Ory (trombone); Stan Wrightsman, Don Ewell (piano); Barney Kessel (gu

Doug MacLeod - Come to Find - Vinyl

Doug MacLeod - Come to Find - Vinyl

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